The who's who like arts from DC, like the older ones. Nahuelpan: Well, yeah, definitely for the Silver Age Flash, I did go back to all these older issues of the Silver Age Flash issues, like a lot of Googling and all that. Did you have any references or inspirations for those individual worlds, especially the ones that differ from your usual style? I love the Mad Max looking world so much. It's like there's multiple avenues of ways you could connect the dots, but artistically speaking it is all super different styles.
I really enjoy that you get to do, within this tie-in story that is also a separate Flash story, you have these individual stories as well, that you could read the issue cover to cover. find it very good for anyone actually to read. It's a very easy, friendly, easy reader issue or issues to jump in and all that. Also, because we have The Flash family there, everything came together for these issues. I know a lot of people that didn't read issues before and they just grabbed 783, and they were like enjoying the issues. Yeah, that's been something that has been keeping me on board, always interested in wanting to go down and hit these pages and make them as fun as possible for whoever is jumping in for the first time. One of the things we've been talking about a lot here has been how for the Retro Flash world, it was quite a challenge for me to adapt my style to this more simplistic looking art from that era rather than the more detailed and shadowy looking stuff that I usually do. But still, if you're that little kid that didn't have access to the other issues, even if you read this story, it's going to be a fun adventure story that's going to grab your attention and maybe make you want to read the rest of the stories.Īnd from the different worlds point of view, that's also a fun challenge for me as an artist to explore these different worlds and different styles. Obviously, if you read all of the three issues, you'll get the better idea of it. Even if you get like the issue of 784, you probably don't even need to read 783 to understand what's happening because it's showing you what would happen in these worlds. And one of the fun things of these issues we've been working on it's that, as he said, because there's three worlds, it's a little taste of three different stories, but you don't really need to know anything else out of these stories. You can just jump in and it's like, oh cool, I don't need to know whatever happening before because I can totally understand what's happening here. How do you balance knowing that it's both part of The Flash and part of something larger?Īmancay Nahuelpan: Well, it's a little bit similar to what Jeremy was saying, and one of the things that I've loved of Jeremy's scripts, not only these ones but previous Flash scripts, is that it's very easy to catch up even if you haven't read issues before. prev nextįor you, Amancay, the same question. They would just suddenly stop talking about it. And I would hate it if I had to wait three months to talk about some of that stuff in the book. They want to know about different things going on in the storyline. And I think it's fair to the fans because they want to know about Linda and her powers. I'm like the Tom Holland of DC Comics, right? It's easier for me to stay within the lanes of The Flash comic and what's going on. I know a little bit at a time, and I think they do that purposefully. and the reality is, I don't know as much about what's going on with Dark Crisis too. And to me that's the most satisfying thing as a viewer is to go, oh, here's a tale and see Flash. They would have a crossover, right, but it stood alone within the context of the story they're telling. The best way to describe it is if you're watching Grey's Anatomy, or I'm trying to think of another good, like Buffy and Angel would do this all the time. It's like, great, but there's another story going on here. The War for Earth-3, like, hey, you need to do this thing. Just going like, it's not at the 7-11, what do I do? Because we didn't have comic book stories. Jeremy Adams: I will tell you from my point of view, as a poor little kid that only got comic books on spinner racks, there is nothing that drove me more insane than getting a piece of an event and not having allowance money or anything to be like, I can't get the six other pieces. I wanted to know how you guys balance the idea of it being a tie-in story and having those elements, but also crafting it as something that really does just stand as part of the overall Flash-ness of it all. : The Flash #784, like the issue before it, it's technically a Dark Crisis tie-in, but also like the issue before it, it really stands alone as its own really good Flash story.
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